The results can then be recorded into the pattern as automation. Multiple parameters can be assigned to each one, so you can, for example, simultaneously shorten the length of a sample while increasing its reverb. Gain quick and easy access to your favourite modulation and FX parameters by assigning them to one of eight Macro knobs. Crucially, you can nest multiple groups inside another group, and continue doing that up to six layers deep, opening up a world of possibilities. Renoise features nested track grouping, which is not only good for organising tracks, but also processing them, as effects placed at the group level affect all tracks below it. Click Help > List Pattern Effect Commands to see them all. Commands perform all sorts of tasks, from manipulating sample audio (triggering sample offsets or portamento glides) to automating track effects and even controlling song playback. Command and conquerĮffects Commands separate trackers from other DAWs, so knowing them is essential to unlocking the power of Renoise. Time spent here can reap significant sonic rewards. Each modulation device is placed in sequence and affects the next device by the type of operand selected between them. In the Modulation section of the Sampler tab, you can create complex modulation for basic sample parameters such as volume, pitch, frequency cutoff, resonance and drive. These pitch- and volume-independent Phrases are then triggered like any other instrument in the main Pattern Editor. Here, you can create anything from a single hit, chord or arpeggio, to a breakbeat or complex harmony. One of the most revolutionary features in Renoise is the Phrase Editor, found in the Sampler tab.
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